2020 Vision

Happy New Year!

Welcome to 2020, the year in which, according to Hollywood we should be racing to Mars on a desperate mission to rescue some floating M&Ms, fighting Kaiju and finding true love in our Jaegers, or hiding from dragons while teaching children about Star Wars.

I know. So disappointing when reality doesn’t match up to the movies.

I've almost finished Netflix so I’m looking forward to leaving the house and discovering some new experiences in 2020. My plans include getting to London Comic-Con and also trying some immersive science-fiction theatre – will report back if I survive. I’m also looking at all the movies coming out this year and I have no idea what to think. Ghostbusters, Top Gun and Bill and Ted are all coming back – any of which could be epic or catastrophic. On the other hand there are some originals in the line-up too, including the mysterious Chris Nolan movie Tenet, and while I don't always approve of re-makes I will probably still see the new adaptation of Dune, and I'm genuinely interested to see what Jordan Peele does with his re-imagining of Candyman.

2020 is also the 100^th anniversary of the theremin, that most science-fictiony of electronic instruments. The theremin was invented by Leon Theremin in either 1919 or 1920 – the theremin community are hedging their bets on this. I’ve continued practicing my Open Theremin, working through Carolina Eyck's book, and I’ll post some more thoughts and videos for your amusement shortly.

Bond Girls: Curse or Blessing?

The Curse of the Bond Girl crops up in newspaper articles and columns from time to time. It seems bizarre: a high profile, glamorous role in a massive blockbuster movie that puts the actress in question right in the centre of media attention, often showing off both talent and beauty - yet her film career seems to slide instantly into oblivion afterwards.

It's not quite a universal rule: stars who already have a strong international following such as Sophie Marceau and Michelle Yeoh will have had no difficulty shrugging off their chains. Hollywood is too small for these wonderful characters anyway and there are plenty of stages and screens in the world. And - irrepressible and incorrigible - I'm sure Halle Berry will be earning both Oscars and Raspberries for years to come.

However it seems there is a way out for the others: while other Hollywood doors close, the science fiction door stays open! Izabella Scorupco from Goldeneye makes an appearance in Reign Of Fire as a dragon-fighting paratrooper, for instance, or there's the wonderful indie film Franklyn, starring Casino Royale's Eva Green. Goldeneye also gave the world it's Dr. Jean Gray, Famke Janssen who also appeared in The Faculty, and in general had no difficulty finding work after her Bond Girl role. Meanwhile Michelle Yeoh has appeared in sci-films ranging from the wonderful Sunshine to the less wonderful Babylon A.D.

One possible theory for the Curse is the essentially submissive role of the Bond girl - successive films have tried to create stronger female characters, but however assertive or action-orientated the part, the film format generally requires that Bond eventually "gets the girl." It's not a great explanation but it's a start. An exception is Olga Kurylenko in Quantum of Solace, whose character Camille does not end up in bed with Bond: it's too early to say whether this will lead to a different outcome for Kurylenko's career.