Showing posts with label romantic comedy. Show all posts
Showing posts with label romantic comedy. Show all posts

Wednesday, 10 November 2021

Your Message Could Not Be Delivered [Review: You've Got Mail!]

 I have always cited Nora Ephron's You've Got Mail! as being the worst film of all time. But everyone deserves a second chance. I gave it a second viewing to see if I had been too harsh. TLDR: I had not.

I should say that I am quite tolerant of bad films in general. I am a fan of The Asylum's brand of cheap and cheerful mockbusters, and I even sat through most of Shark Exorcist before giving up. My problem with Shark Exorcist was not the poor script, acting, CGI or editing, but the fact that this is a movie about a shark possessed by a demon (which incidentally makes no difference whatsoever to its predator behaviour) and disappointingly not about a shark who is also an exorcist.

Also, despite my love of sci-fi and fantasy I am not opposed to the romantic comedy genre in principle. Brief Encounter, Breakfast At Tiffany's, Four Weddings, Pretty Woman and When Harry Met Sally... are all great films.

So why does You've Got Mail! bring out the same reaction for me as others have described when watching The Human Centipede: First Sequence? Let's consider the evidence:

  • Everyone loves a goofy screwball romcom, right? Here's a goofy screwball romcom about a manipulative creep who gaslights a vulnerable adult. Cute!
  • There is no character development. Both Kathleen and Joe are exactly the same people at the start and the end. They don't grow. They don't even learn that women can fake orgasms or overcome their fear of heights. Dramatic journey? More like an hour and twenty minutes on a roundabout.
  • With one exception, all the cast appear to be half asleep, wandering through the scenes in a daze and delivering their lines on half-speed. Did Ephron have to drug them all to get them to participate? Or are they dosing themselves up to forget?
  • With one exception, all the supporting characters are zero-dimensional. Their only point (Ha! Geometry joke!) is to distract from the dopiness of both lead characters.
  • Above all else, this is a Nora Ephron film. Nora smegging Ephron! Ephron is a legendary writer and director, responsible for some truly great films, including When Harry Met Sally... one of the most well-loved films ever. Her uncredited work on Shark Exorcist aside, her writing always, always hits the mark - so this film's greatest crime, and greatest disappointment, is that it doesn't live up to the Ephron standard.

I challenged myself to find something positive to say about this terrible film. I found two things:

  • It's a highly effective Internet safety video. I'm sure if You've Got Mail! was compulsory viewing at school, the next generation would happily abandon their TikToktagrams and their Snapcords and re-discover the delights of wooden spinning tops and Knock Down Ginger.
  • One character in this movie only appears in three scenes but is a delight. She's quick-witted, dynamic, energetic, superficially evil but actually extremely thoughtful. Happily she makes her escape from the manipulative creep, but this means we barely get to know her. Personally I would rather see less of Creepy Joe or MPDG Kathleen and spend the whole hour and twenty minutes in the company of someone who makes coffee nervous.

I cannot give this truly awful piece of cinematic history any more than a mediocre three stars out of five.


Score: Three stars out of five.

All movies reviewed on The Sci-Fi Gene blog are awarded three stars out of five.

Friday, 13 April 2012

Late Nights And Love Bites [LIFF Preview: A Little Bit Zombie]

Dying was easy. It’s getting married that’s the killer.

Another LIFF highlight for sci-fi fans: A Little Bit Zombie, directed by Casey Walker, will be at the London Independent Film Festival on 18th April. Finally someone has made a romantic comedy with brains.


A Little Bit Zombie - Trailer from A Little Bit Zombie on Vimeo.

A Little Bit Zombie is the second part of a LIFF double bill: it follows the LIFF Music Video selection, including my own video for "2007" by Tenderstar.

Tuesday, 7 December 2010

Romantic Comedies Of The Dead

I have, on occasion, gone on record as being somewhat critical of the romantic comedy genre. To "celebrate" the DVD release of Sex And The City 2 - and personally I think The Onion got this story right - I set myself a challenge to come up with a list of ten romantic comedies that actually have some merit as films. I admit I set the bar pretty high - to my mind a "romantic comedy" needs to be romantic, and it also needs to be funny.

It took me a while. In no particular order:


Ah, the classic, genre-defining rom-com. To quote the Muppet re-make: "I'll have what she's having - but without the pepper."


Between them, When Harry Met Sally and Breakfast At Tiffany's contain pretty much every single trope of the genre: they are endlessly, and needlessly recombined by some kind of scriptwriting machine to create mindless tripe such as Serendipity and You've Got £&*!%#? Mail.


Poor Woody! He tries too hard - and there have been so many mediocre films in the last decade or two that we forget just how much he's capable of. Everyone Says I Love You is Woody at his surprising, understated best, with gentle humour plus moments of perfectly deployed magical realism such as the floating dance scene.


The music video for Daniel Powter's song Bad Day is in many ways the perfect rom-com archetype: two characters living parallel lives, destined to be together but separated by circumstance until they start to reach out; great soundtrack; and best of all, it's less than four minutes long. The link above is to the official video. Bonus points for featuring er... Screech from Saved By The Bell.

This film spawned an entire sub-genre of copycat British films - Wimbledon, Notting Hill, and so on - every single one of which missed the point about what made Four Weddings so great. It's not the swearing. It's not the provincial sidekick or the comedy dance routine.


A recent entry and I'm surprised I enjoyed it so much but it's a great script and there's enough cynicism and black humour to give it some bite.

7. Adam

Many films have tried to get this kind of thing right, few have succeeded: Adam is a romantic comedy about a young man with Asperger syndrome. I would be interested to know how it has gone down amongst those with Asperger or other autistic syndromes but for me it was genuine and sensitive although there are a few awkward moments.


Probably the most lightweight entry on this list. However this film plays it's 80s revival card at every opportunity, from the financial backstory right down to the buzz of the doorbells, to great comedy effect.


The definitive rom zom com.


Nick Hornby writes romantic comedies for men. Transplanting this peculiarly English novel about the life and loves of a list-obsessed record store owner to the United States should have been a spectacular failure but John Cusack pulls it off.

Two honourable mentions:

Sliding Doors: a film that attempts to rise above it's rom-com status with a Many-Worlds-Interpretation/Schroedinger's Cat storyline - A for effort.

Brief Encounter: definitely romantic, one of the overall best films of all time, and while it's not a comedy it has some comedy moments.