Showing posts with label being john malkovich. Show all posts
Showing posts with label being john malkovich. Show all posts

Tuesday, 14 July 2020

Bring On The Wall [Review: Deep Dark]

Hermann (Sean McGrath) is a Failed Artist TM trying to express himself through the oft-neglected medium of hanging mobiles and trying to win the attention of gallery owner Devorah Klein (Anne Sorce). Hermann’s mother sends him to his rich uncle in search of a Real Job TM – but instead his uncle sends him to a dilapidated apartment to use as an artist’s retreat until he finds inspiration. So nothing weird so far. However…

In the apartment, Hermann finds a mysterious hole in the wall. Pulling a thread from the hole leads to communication with a strange entity – one who has the power to help Hermann make his mobiles into successful art. And all the poor lonely entity wants in return is Hermann’s company. What could possibly go wrong? Surely there won’t be a terrible price to pay for all that success…

Deep Dark is a lo-fi horror movie from 2015, directed by Michael Medaglia, with shades of Being John Malkovich and Little Shop Of Horrors, but with a few more WTF scenes than either.


Deep Dark also has a wicked sense of humour and a fair helping of blood, guts and other disgusting stuff, although it’s also strangely restrained at times. Not everything makes sense. For example the opening scene features a man removing a bathplug from his abdomen. It’s a great horror scene, really inventive, well done! but I have no idea how this fits in with any of the rest of the film. However for the most part this is a well plotted movie with a strong subtext. The relationship between Hermann and his somewhat unusual muse is a metaphor for the pain of the creative process. At least I hope it's a metaphor. If all artists actually have to do this then I have more respect for them than ever.

Score: 3 out of 5 stars

All movies reviewed on the Sci-Fi Gene blog are given a score of 3 out of 5 stars.

Friday, 16 January 2009

Odds and endings

Two more oddball films I've seen and enjoyed, again with only the most tenuous connection to sci-fi...

Being John Malkovich (1999) by Spike Jonze is hard to describe - the story of desperate puppeteer John Cusack who discovers a hole in an office-wall leading into John Malkovich's head is just the start of a story that gets more surreal each scene - and just when you think this film could quite happily exist just as a playground for bizarre unconnected ideas, the ending unexpectedly wraps the story up into a neat gothic horror that actually makes sense of most (not quite all) of the plot.

Compare to Roman Polanski's The Ninth Gate, released the same year, in which Johnny Depp's character, a rare books dealer on the trail of a demonic spellbook of some kind is constantly uncovering clues that seem to hint at an ultimate secret - while the ending is at least consistent with the quest, there's a real sense that the film just stops without pulling the strands together, or explaining the picture that is presumable clear to the character. This is the opposite: a fantasy film that does need an ending but lacks one.