
Actually the scenario is much more reminiscent of the movie Equilibrium, where daily doses of an antidepressant eliminate all feeling, while the surgical “cure” is a crude treatment, taking away much more than the capacity to love, and sometimes failing - not unlike the Capping ceremony carried out by John Christopher’s Tripods.
The plot is unfortunately the weakest link – 100% predictable from the moment Lena sets eyes on Alex, a young man dressed as a security guard but clearly an outsider who should not be present or even exist under the regime. The scenario and characters, on the other hand, are well thought out and executed and the end result is believable and interesting. There’s nothing wrong with the standard forbidden-romance plot – after all, the great playwright Anonymous used it to good effect in her classic science fiction play “Romeo and Juliet” – but I would have liked to see a more original use of such a good backstory.
