Infinite Number Of Monkees Part II: Moon Child

There is one reason I am willing to forgive Micky Dolenz for his creation of Metal Mickey and it is this.



Luna, first broadcast in 1983 is one of the strangest sci-fi series ever to be fired from a CRT gun towards a phosphate glass screen.

Where to start? The date is 2040. In the Efficicentre, possibly the last human city after some pollution apocalypse, cloned humans live together in randomly allocated family units. You will be "obliviated" if you lose your e-passport and Luna comes dangerously close to this fate in the first episode. "Technotalk" is spoken, a language not unlike Orwell's Newspeak but designed to be easier for computers to digest. And teapots are outlawed. It's a dark, dystopic, brightly coloured, child-friendly sitcom: the bureaucracy of Brazil and the sinister social control of 1984 meet The Wonder Years.

This show was one of the defining memories of my diminibeing years, yet for a long time I thought I'd dreamed it. While the series apparently still exists in archive, it's never been repeated or released.

Where can you watch it? You can't. Certainly not here.

I was extremely happy to see Luna again. Not everything has aged well - the wobbly old-school Doctor Who-style set for one, and some of the gags are equally wobbly. But I think you'll agree that Luna is still very watchable, and the tone, the essential weirdness and 72 Batch 19Y's indomitable spirit all shine through. With thanks to the Lunaviron fansite.

Am I Hot Or Not Part II [Review: Rate Me Red]

Richie Chevat's e-book Rate Me Red is a Brave New World to rival Blind Faith's 1984. It also describes a future extrapolated from today's Internet: again we have Facebook-style sharing and liking, together with a combination of YouTube vlogging and Second Life where your real-life clothes are cheap, but you then pay thousands of pounds more for your vid avatar to be seen wearing them.

Unlike Brave New World, where social mobility is zero and caste is defined before birth, Rate Me Red and Blind Faith describe futures where your social standing depends totally on your popularity – the Oranges and Yellows of Vidnet know that a chance encounter could precipitate a life-destroying chromofall at any time.

For the most part Vidnet society is a Machine Stops lifestyle - the novel follows hero Gordy through a real-life date and sexual encounter with his girlfriend Poppy, which is such a rare, shocking occurrence that it will surely boost both their ratings. The way everyone belongs to massive transnational corporations also reminded me of Max Barry's novel Jennifer Government, reviewed here.

You face a double humiliation in this future: not only must your every failure and embarrassment be made available to everyone over the net, but even worse – no-one’s actually watching it. In Blind Faith etiquette requires that you tell everyone how much you’ve enjoyed watching them argue or have sex, but of course no-one actually does because they’re self obsessed. In Rate Me Red you can’t actually keep up with all of your Twitter-style followers – so you buy a digital avatar who can do it for you, right down to replying to your e-mails.

Rate Me Red is bursting with ideas, from the ghetto-bound Blue underclass and mythical Purple untouchables to the pathetically intellectual Rejectionists. I particularly liked the idea that you couldn't be a success until you had a hate campaign against you - luckily Gordy's best friend is happy to oblige.

Neologisms TM have defined the dystopic fiction genre since 1984 and Clockwork Orange. They’re widely used here and while this is often effective there are a few misfires such as the constant referral to Real Life TM. This would be my only Criticism TM of Chevat’s writing – and on the other hand, perhaps because Chevat is also a playwright, the dialogue is particularly funny and well written, and the novel as a whole has a great pace. You can find out more or download the e-book from the author's website.

Am I Hot Or Not Part I [Review: Blind Faith]

Global warming meets Am I Hot Or Not by way of 1984 in Ben Elton's novel Blind Faith. The setting is a Facebook-style future following a rise in sea-level. Privacy and secrets are now perversions: you are required by law to share every aspect of your life. Consumerism, voyeurism and constant ratings are the norms, and there's a chatroom moderator in every block of flats constantly monitoring and interfering with your lives.

Elton uses this setting to tell a story that isn't really about Internet culture but about the rise of ignorance and celebrity obsession in general. Tabloid-style mob justice keeps everyone on their toes and there's a sinister populist religion that has taken advantage of the situation. In this future, the neonatal death rate has skyrocketed and the people have forgotten that it was not always so - a third of the way through, the story changes direction and follows a secret order who continue to provide children with vaccinations in a world where the ignorant population has rejected them as evil and unnatural.

This change in direction doesn't really help the narrative. Nevertheless the satire is spot on - the religious council that suddenly declares that everyone is now a celebrity, or the much repeated slogan "What's not to like?" are products of a society that is self-obsessed to delusional levels. I fully endorse the aims and methods of this novel, and it's an enjoyable satirical read if not quite on a par with Gridlock, Stark or Popcorn.