Brain The Size Of A Planet [Review: Lucy]

According to modern science I use 100% of my brain, although not necessarily all at the same time. According to Hollywood - yet again - we all use only 10% of our brains, and unlocking the full 100% could give us godlike powers. I worked hard to deconstruct this myth in my award-winning* short film "We Can Get You Some Really Cheap Gear" so I am a little disappointed that the rest of you haven't moved on. What do you all have for brains? Pudding?

In Luc Besson's new film Scarlett Johansson plays Lucy, a tourist who is kidnapped by drug traffickers and receives an unintended dose of an experimental product that has been surgically implanted in her abdomen. As the drug boosts Lucy's intelligence and strength she manages to escape her Triad captors, but as her telekinetic powers grow she realises she only has a limited lifespan, and she must find a way to stay alive - and stay human - long enough to do something meaningful.

However, about a third of the way through Lucy, I realised that unlike Limitless, it isn't really about brainpower at all. Once this becomes clear it's possible to sit back and enjoy a pleasantly surreal experience. The brainpower story is just background styling for a plot that's about achieving potential in a much more general sense. Besson loves his technobabble - and what's not to love, especially when delivered by university lecturer Morgan Freeman.



*Kino London Film Of The Week (April 15th 2012) an award which, as far as I am aware, Luc Besson has yet to receive.

The Stockbrokers of NIMH [Review: Limitless]

Eddie Morra (Bradley Cooper) the protagonist of Limitless, chooses to take a drug to boost his intelligence - turning him from that greatest of failures, the writer who has yet to write a single word of his novel, to a smart seductive polymath, full of energy and motivation who can learn to play the piano or the FTSE in days, or single handedly fight his way out of a street gang ambush. The opening events of the movie leave Eddie in possession of a supply of the drug that is not limitless, and no apparent way to score any more.

As a film about drugs Limitless both succeeds and fails. It fails to be fantasy, or to say very much new about either drugs or intelligence - the stereotypes of bankers and cocaine, or artists and hallucinogens (or cocaine) are too familiar, with the benefits of creativity and vision, better concentration and alertness offset by paranoia, flashbacks, nausea, withdrawal, dependence and entanglement with the equally stereotyped criminal underworld. It succeeds in being a cautionary tale without straight-to-camera morality lessons, and the Clear Pill encompasses the features of many different drugs - in addition to the creativity or alertness there are hints of Viagra and E plus of course Dutch courage.

Limitless succeeds as a combination of psychodrama and thriller and this comes down to the performance. A little like Sam Rockwell in Moon, Bradley Cooper plays several different versions of Eddie: Eddie as drop-out, Eddie as super-suave high achiever and Eddie paranoid, desperate and in pain. Abbie Cornish and Robert De Niro are also great but their time on screen is limited to a few intense scenes each while Cooper is the constant presence.

An impossible zoom in the title sequence, accompanied by the first themes of a powerful and melancholy soundtrack, places Limitless squarely in the music video domain. Director Neil Burger uses every trick in the music video book to visualise Eddie's higher state of consciousness: colours brighten, view angles widen, and Eddie's intelligence is superimposed over reality - for example, stocks and shares rotate across the ceiling. The impossible zooms recur, adding momentum to the movie and symbolising both the way the drug smooths Eddie's route to success but also the way it controls his life and takes him to unexpected places.

Overall, despite its flaws Limitless is a sexy, addictive movie that you can immerse yourself in until your senses are overloaded - and watch out for the comedown after you leave the cinema.

No mice called Algernon were harmed in the making of this movie.