"Last Zombie Standing" Screening: Croydon International Film Festival

Zombie rights minidoc "Last Zombie Standing," originally shot in Croydon back in 2009, returns to the scene of the crime for the 2014 Croydon International Film Festival on 25th October.

Lunacy update #3 [SFL48]

The forty-eight hours have come and gone. "Season of Smoke" wrapped on Sunday, but despite a night of furious editing I was only able to return a very rough cut of the film to the Apollo which is disappointing. I'll post more when I've fully recovered from the weekend's adventures - there is a plan to complete this film in the near future.

[photos: Celia Peters]

Lunacy Update #1 [SFL48]

Sci-Fi London's 48 hour competition started at around noon on Saturday: team Lunar Industries spent Saturday afternoon planning, preparing the set and capturing some establishing footage: right now I'm running some effects tests.

Superheroes Come To Feast

Sci-Fi London 10 will run from 23rd April to 2nd May. The full programme isn't out yet but details of the All Nighters are emerging plus some awesome events are planned above and beyond the films themselves. SFL is a great indie festival with a friendly, sociable atmosphere and naturally I'm looking forward to it. Check out their website or Facebook page for more details.

The Sci-Fi London 48 Hour Film Challenge will be running this coming weekend, 2nd to 4th April, and is bigger than ever - there are 350 teams registered. I am all cut up to report that this year I won't be entering a team - I'm planning to be back next year ;) - but I'm looking forward to seeing any entries that make it online, and if you're in London that weekend and see anyone with a camera, give them a smile!


"Super" directed by James Gunn, confirmed for SFL 2011 closing night.

Factory Filmed

Monsters is released in cinemas across the UK from Friday. I'm looking forward to it - watch this space for the review. The movie has received a lot of positive advance press, mostly focussing on the low-budget and atypical production model: this article from the Guardian is typical. Two actors and a tiny crew took a road trip across Mexico seeking out atmospheric locations and shooting scenes along the way, a lot of the dialogue was improvised, and director Gareth Edwards then edited and post-produced the film, tentacles and all, in After Effects on his laptop. More or less.

Gareth Edwards entered Sci-Fi London's 48 Hour Film Challenge three years ago, seeing it as an opportunity to test out a depth-of-field adaptor he'd just built for his camera. The result was the 2008 winning entry Factory Farmed - which surely must have helped when Gareth was pitching the Monsters concept. Inspired by the 2008 entries including Gareth's, I had a lot of fun making films for this competition in 2009 and 2010 and plan to enter again in future.

Factory Farmed: winner of SFL48 2008

For the benefit of all the journalists who are enthused about Monsters: while I share your excitement about this particular release, indie and low-budget films are not new, and Danny Boyle is not the only respected director who started out using guerilla filmmaking techniques. Also it has always been possible to spend a massive Hollywood budget and end up with a box-office flop. It is true that post production and effects tools have become more accessible - including many freeware applications such as my preferred tool Blender - but it's not really about the tools: a good script, good direction (both theatrical and artistic) good character performances and good editing are as key as ever.

Low budget filmmaking is different though. For example, in a more traditional studio there is a tension between the director and the producer, whose role is basically to persuade the director that he can still achieve his artistic vision with only three elephants instead of six. If the director has always come from the angle of what he or she can achieve without spending anything, then this tension is not needed in the first place and there might not be a need to separate the director/producer roles in the same, rigid way. I suspect the ideal arrangement is for two people with a fairly close relationship of some sort to hold both roles but play to their own individual strengths, and this might be why there are so many successful brother-brother partnerships in cinema.

Read Me, Seymour!

Two short films today: firstly, The Wonderful Present, placed 3rd this year in Sci-Fi London's 48hour film challenge. I saw this film at the screening event, it's got great atmosphere and effects, does a lot with minimal dialogue, and seems to be following the DV Rebel's Guide to the letter - right down to the vignetting. Congratulations also to Shoot The Runner, makers of this year's winner Abducted, and More Reel Than Real, who made the other runner-up The 10th Planet. You can see the other films here.



Today's second film is The Slush Pile, a comedy by Keith Kowalczyck and Martin Ott. This is not a 48 hour challenge entry. It's based on a true story, and another screenwriter friend also confirmed that it is very true to life. Martin Ott writes:

An friend of mine in the entertainment industry worked at a top agency where he dumped all of his "reader" scripts in a "Slush Pile" so that he could network his way out of the mail room (which he did).

So part of it is true enough and part of it is "tongue-in-cheek" - obviously a Slush Pile monster hasn't really eaten Hollywood (yet!). However, a town filled with so much nepotism and "connections" for a script to get read deserves this type of "parody."



[edited 10.5.10]

The City Of Gold And Lead

This week sci-fi has literally been oozing out of the ground all over London. First of all the Tree of Souls sprouted in Hyde Park:
Rumours of the discovery of massive deposits of unobtainium beneath the Serpentine lake remain unconfirmed and I am assured that the excavation works all over London are pure coincidence.

Over in Piccadilly Sci-Fi London is in full swing. Accompanied by my two leading ladies I came to the screening of the 48 Hour Film Challenge entries, just as the All-Nighter survivors were leaving. I say "leaving", but what I really mean is "falling asleep all over the foyer." Brave souls, I will join you in your cryogenic suspension pods next year.

Our non-shortlisted film, Half A Million, received a few giggles and some applause - you're a polite lot, Sci-Fi London! More about this in my last post. It was shown alongside some really good entries made by some very nice people, so I'll round up the links and publish my favourites in another post.

Starcraft II was on display. This is news. Look!

The amazing Science Fiction cupcakes by Chocoloty (pictured) - which tasted as glam as they look. I'm guessing Chocoloty is a fan of Barbarella, Flash Gordon or old-series BSG rather than, say, new-series BSG.

Half A Million intro [remake]

We made a film for Sci-Fi London 48 Hour Film Challenge 2010. The results were shockingly poor - looking back the decision to shoot everything on bluescreen & model all the locations in Blender within the 48 hours was a bit ambitious and should have rung a few alarm bells, and although the live shoot went smoothly post-production was completely rushed. The film will eventually be uploaded at Sci-Fi London & I'll link to it when it appears.

This is not that film.

Here I've completely re-made the first few shots using the original bluescreen footage - took a few nights but the clip you are now watching is closer to how the film appeared in my head.

With thanks to the wonderful cast and crew.

Sci-Fi London 2010

The Sci-Fi London film festival opens this week. The opening night is already sold out but there are some real gems elsewhere in the programme including a rare showing of Daleks: Invasion Earth, the office comedy Drones and Sandy Collora's much anticipated Hunter Prey, as well as the awesome shorts programme.

Also, the 48 Hour Challenge Shortlist is now online here. Our entry, Half A Million, didn't make the top 12 so congratulations to all the teams that made it. I'll post my thoughts on the entries (shortlisted or otherwise) in a bit.

The Day Before The Day After Tomorrow

The 48 Hour Film Challenge is now over - I handed in a finished film for Team Sky's Edge at about a quarter to one this morning, just in time for the deadline.

We finished the production stage in good time - following the Last Zombie model we did the whole shoot on Saturday afternoon and had tidied up, gone out for a meal and got ourselves home all before midnight. The initial plan was to use a friend's urban jungle as a location but unfortunately at quite short notice this wasn't possible so I came up with an utterly foolhardy alternative - shoot the whole thing on bluescreen and leave myself to post-produce everything Sky Captain style for the rest of the weekend, so it's been a race against the clock, particularly with the render time required for every scene. I "finished" at 11.30 this morning and just made the 1 p.m. drop off, and I don't think I want to see ANYTHING blue for some time. Anything arty went out of the window - we went with what our title and prop suggested so ended up making a heist movie which also required one cast member to play an entire army of security guards on her own - which she did brilliantly.

Although I'm temporarily off blue I'll post some more about the bluescreen stuff because I do think it's got some potential & would like to do more of this in future. For this film in some scenes it works well, but if we hadn't been in a competition I would have wanted to re-shoot some scenes.

The Day After Tomorrow - update 3

Only a few hours left until the deadline. I now know I will have something to hand in although some parts have been more successful than others.

The Day After Tomorrow - update 1

Running slightly behind schedule but we did complete our 48 hour challenge shoot this evening, leaving me with a very ambitious editing & post production job. Still think I can do it but we'll see what happens over the next 36 hours.

The Day After Tomorrow

Sci-Fi London's 48 Hour Film Challenge starts in a couple of hours. I'll post updates on my progress. We're going to try something a little different this year...

The Purrfect Storm

The Eyecat Training Collar has some serious competition - well, it made me laugh. Thanks bro.

In other news, Sci-Fi London is coming in April. I'm getting a team together again for the 48 Hour Film Challenge, but right now I'm still working on post-production for Bast in every minute I can squeeze in.

Demo of post-production work on Bast. I'm working in Blender 2.49. The steps:

Artefact reduction: Quad blurring the Cr and Cb channels in the compositor leaving the Y channel unblurred. You can't see this step at all if you're watching at 360p as YouTube tends to add in some lovely artefacts of its own. If you're watching at 480p look at the candle during this step.

Colour consistency: lift gamma gain balancing in the VSE so all the shots in a scene look similar. Blender 2.5 will include colour balancing nodes in the compositor as well, seriously speeding up the process.

Lighting: adding or reducing highlights - meshes with gradient textures in the 3D scene, multiplied in the compositor.

Gradients and overall colour look: adding local colour uses same approach as lighting step. Overall colour look is a colour curves node that is applied equally to all the shots in the same scene. Here I've just bowed the red and green channels slightly to add warmth.

Last Zombie Standing

Two films released onto YouTube in a week, and both have been a long time in production. Here's the final cut of Last Zombie Standing, my entry with Team Special Circumstances in the Movieum Zombie Film Competition 2009. Watch in HQ here or on the YouTube channel. I held off releasing this so that the screenwriter and I could re-edit and put together this shorter cut with completed effects scenes (a slightly longer version was entered in the competition.) I had great fun making this film - enjoy!

Late Night Double Feature Picture Show

While no-one was looking, most of the 48 Hour Film Challenge entries have been uploaded to dailymotion.com. This gives me an opportunity to share two more of my favourite humorous entries - one clearly inspired by The Office, the other simply inspired.

60X60
Uploaded by SFLTV. - Watch feature films and entire TV shows.

City State
Uploaded by SFLTV. - Check out other Film & TV videos.

Too Much Too Soon

This was originally an entry in the Sci-Fi London 2009 48 Hour Film Challenge. Nothing can save this film! but this cut includes some additional scenes, my attempt at a soundtrack and credits that didn't quite make the 48 hour deadline. With thanks to all who took part.

Team: Second Foundation
Title: Too Much Too Soon
Compulsory Dialogue: "Choose your spot and mark it with an X - it'll still be there on your return"
Compulsory Props: Three passports from three different countries.
Technical notes: filmed on mini-DV, CGI and titles produced in Cinema 4D, soundtrack mixed in eJay, original cut edited in Final Cut Pro, this cut edited in the Blender VSE.

48 Hour Challenge Shortlisted Films

The ten SFL48 2009 shortlisted films can now be seen on the Sci-Fi Channel website here. Annoyingly you will have to sit through the same 20 second commercial trailer before you can see each one - thanks SyFy. My personal recommendations are the beautiful and stylish "Minute Adjustment" with its' poignant ending, and "Mark Up" which features some simple but well executed special effects and was placed joint second. In different ways I think both these films push the limits of what you can achieve in 48 hours.

Also at this site are the winner "Tracker" and the other second "Glimpse" as well as the entries from the 2008 competition. "Glimpse" features a lot of running - it's exhausting enough just to watch it! - and while the plot is very basic there's some great camerawork and sound and it has plenty of action movie edge.

[update 7.10.09 - link added to Minute Adjustment without SyFy adverts - thanks Rob]

48 Hour Challenge news

Congratulations to Lost Souls, producers of Tracker - the 2009 48 Hour Challenge winner. I'll post a link to the film when it's available.

Knot bad for 48 hours?

Here's a link to "This Is..." a humorous entry in the 48 hour competition that I particularly enjoyed.



This original film was made by team Death Star Holiday Chalets, who include writer Molly Brown. On meeting the team after the screening event I was particularly impressed to learn that they held a dummy run the week before - that's dedication to the cause.

Incidentally, Tube travellers over the next few weeks should watch out - Sci-Fi London festival director Louis Savy will be at large with a hi-tech portable projector screening short films and competition entries indiscriminately. You have been warned.