"The Drake Equation"
Helion Prime
In third place: Helion Prime are a metal band who use science and sci-fi imagery the way other bands use Satanism. So this is a song about the Drake Equation. While I love the song, it only gets the bronze for two reasons: there's no video yet, and they don't actually sing the equation.
With thanks to Big D of the Assorted Thoughts blog who first introduced me to Helion Prime.
"Mandelbrot Set"
Jonathan Coulton
In second place: Lyrics sadly became outdated as Benoit Mandelbrot passed away in 2010, but still... Here's a chalk-based animation that illustrates the song nicely, although it's a shortened version. Or if you prefer, there are about a million YouTube videos of fractal animations set to the song. Bonus points for spelling out the equation. Bonus points subsequently deducted as, obviously, the equation used in the song actually describes the Julia Set. D'oh...
"The First and Second Laws Of Thermodynamics"
Flanders and Swann
And the winner is: Flanders and Swann, those rapscallion 50s and 60s music hall entertainers. Michael and Donald were no strangers to science - songs about the mating habits of hippopotami made them the Discovery Channel of their day, while their revelations about the spiral growth of the honeysuckle (right-handed) and the bindweed (left-handed) were worthy of a PhD. Bonus points for spelling out and actually understanding the Laws, and for squeezing in the Third Law as well. There's no actual video of Flanders and Swann performing this so here's a version accompanied by random pictures and some bad jokes from teachers. Polar! Lol.
Saturday, 4 March 2017
Tuesday, 28 February 2017
The Rocky Horror Evolution Centipede Hotel California Show [Review: A Cure For Wellness]
Received my invitation to the Evil Medical School reunion. Think I'll give it a miss this year - it would just be too embarrassing meeting up with classmates Dr. Evil, Dr. Heiter and Dr. Ledgard, and having to admit I've still not achieved anything on a par with their nefariousness.
Some of the comments below could be considered minor spoilers. Read on at your peril.
Dr. Volmer, head of the Volmer Institute, would fare better in comparison, although he's still no Dr. Frank'n'Furter. His institute, an aquatherapy centre for rich guilt-stricken investment bankers and suchlike hidden in the Swiss mountains that hides a sinister history and even more sinister purpose, is the setting for A Cure For Wellness directed by Gore Verbinski. Ambitious young banker Lockheart is sent there to bring back a senior partner currently "taking the waters" but discovers what first appears to be a strict and eccentric health regime but develops into a gothic myth.
A Cure For Wellness is that rare thing - a mainstream Hollywood horror movie that really goes there. I thought some early scenes were tame and predictable, but by the final third of the movie I was on the edge of my seat and even had to cover my eyes once or twice, which is definitely not consistent with my backstory.
This is partly due to some superb worldbuilding and cinematography - the Volmer Institute with it's maze-like steam rooms, swimming pools, green coridoors and treatment rooms is a beautiful example of the creepy hospital subgenre. Cast is also mostly excellent, headed by Dane Dehaan as Lockheart and the aptly named Mia Goth as mysterious orphan and "special case" Hannah. I hope that's a screen name. Jason Isaacs as Dr. Volmer mostly hits the right note and is convincing as a threat, but sometimes veers a little towards pantomime villain. Supporting cast are excellent and it's nice to see an ensemble covering the whole age range rather than just pretty young students (yes, The Sand, I'm looking at you). Celia Imrie as the puzzle-obsessed Victoria stands out.
This film reminded me of other creepy-hospital or medical horror films, and there may be some deliberate tributes going on here. This does mean that at least the first third of the film feels unoriginal. The setting is three parts Rocky Horror to one part Hotel California - it's spelled out to Lockheart over and over that no-one ever leaves. Unnecessary. As well as Rocky Horror, at its best the film channels The Skin I Live In or Evolution, but there's also a hint of The Human Centipede, and even one or two scenes harking back to The Dentist. As with Evolution, there's a creature element; but where Evolution is a French Japanese puzzle-box to be unpacked slowly, here the creature's role in the horror is spelled out in detail and perhaps shoved down the viewer's throat - this is not an understated or subtle film. The last part of the film switches from horror a little too far into action - Lockheart almost becomes a martial arts-type hero at one point, which jars a little as there's no prior evidence his yuppie character has any fighting ability.
Overall this film is flawed in a few places but it's still a well-crafted horror movie - proof that Hollywood is still capable of creating something artistic, scary and utterly bonkers.
Some of the comments below could be considered minor spoilers. Read on at your peril.
Dr. Volmer, head of the Volmer Institute, would fare better in comparison, although he's still no Dr. Frank'n'Furter. His institute, an aquatherapy centre for rich guilt-stricken investment bankers and suchlike hidden in the Swiss mountains that hides a sinister history and even more sinister purpose, is the setting for A Cure For Wellness directed by Gore Verbinski. Ambitious young banker Lockheart is sent there to bring back a senior partner currently "taking the waters" but discovers what first appears to be a strict and eccentric health regime but develops into a gothic myth.
A Cure For Wellness is that rare thing - a mainstream Hollywood horror movie that really goes there. I thought some early scenes were tame and predictable, but by the final third of the movie I was on the edge of my seat and even had to cover my eyes once or twice, which is definitely not consistent with my backstory.
This is partly due to some superb worldbuilding and cinematography - the Volmer Institute with it's maze-like steam rooms, swimming pools, green coridoors and treatment rooms is a beautiful example of the creepy hospital subgenre. Cast is also mostly excellent, headed by Dane Dehaan as Lockheart and the aptly named Mia Goth as mysterious orphan and "special case" Hannah. I hope that's a screen name. Jason Isaacs as Dr. Volmer mostly hits the right note and is convincing as a threat, but sometimes veers a little towards pantomime villain. Supporting cast are excellent and it's nice to see an ensemble covering the whole age range rather than just pretty young students (yes, The Sand, I'm looking at you). Celia Imrie as the puzzle-obsessed Victoria stands out.
This film reminded me of other creepy-hospital or medical horror films, and there may be some deliberate tributes going on here. This does mean that at least the first third of the film feels unoriginal. The setting is three parts Rocky Horror to one part Hotel California - it's spelled out to Lockheart over and over that no-one ever leaves. Unnecessary. As well as Rocky Horror, at its best the film channels The Skin I Live In or Evolution, but there's also a hint of The Human Centipede, and even one or two scenes harking back to The Dentist. As with Evolution, there's a creature element; but where Evolution is a French Japanese puzzle-box to be unpacked slowly, here the creature's role in the horror is spelled out in detail and perhaps shoved down the viewer's throat - this is not an understated or subtle film. The last part of the film switches from horror a little too far into action - Lockheart almost becomes a martial arts-type hero at one point, which jars a little as there's no prior evidence his yuppie character has any fighting ability.
Overall this film is flawed in a few places but it's still a well-crafted horror movie - proof that Hollywood is still capable of creating something artistic, scary and utterly bonkers.
Saturday, 18 February 2017
Boy You Turnin' Me [Review: Upside Down]
Adam and Eden, the hero and heroine of French film “Upside Down” are star-crossed lovers, the poor boy and the rich girl. Just like
Romeo and Juliet, Laura and Alec or Megashark and Giant Octopus, they live in
different worlds – no, they literally live in different worlds, one suspended
above the other and each with its’ own gravity.
When Adam (Jim Sturgess) last
saw Eden (Kirsten Dunst) she was falling upwards towards her own world and to
her death. Years later, when Adam discovers
that Eden is still alive and working for Transcorp, a mysterious company whose
offices link the two worlds, he comes up with a crazy plan to win her back.
Adam and Eden strive to escape the limitations of their
societies and geometries, so Upside Down is Science Fiction.
“Upside Down” tells a simple and rather traditional story of
love across the class divide, with a crude and obvious use of metaphor. Good
performances from Sturgess and Dunst can’t cover over the lack of depth in the
writing. I don’t care. Like Tron: Legacy, Mad Max: Fury Road and Daybreakers, this film is an example of near-perfect worldbuilding. It would work with or without the humans, although
arguably any film where Kirsten Dunst kisses someone upside down is by
definition a good film. The genius of “Upside Down” is the extraordinary environment
of the twin worlds. It's thought out, designed and filmed in a way that every scene is visually striking, and every detail of
every scene tells a chapter of the story, the history of the characters and
their societies - a story far more rich and nuanced than the melodramatic
script.
Tuesday, 14 February 2017
Countdown [Review: Hidden Figures]
“Hidden Figures” tells the story of three
mathematicians who became crucial to the US space programme, and who faced down
sexists and racists in the segregated America of the 1960s along the way. The
three lead characters, Katherine Johnson, Mary Jackson and Dorothy Vaughan, all
strived to escape the limitations of what to all intents and purposes was a
dystopian society, so “Hidden Figures” is Science Fiction – it just happens to
be true as well.
Tuesday, 24 January 2017
Monday, 5 December 2016
Sunday, 4 December 2016
A Mars A Day [work in progress]
Working on a Martian landscape, with some help from the Guru:
Someone should sweep up all these rocks...
Produced in Blender 2.76
Based on a Blender Guru tutorial
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