U Can't Touch This [Open Theremin]

In her book "Method for Theremin" Clara Rockmore, one of the greatest theremin players, defines a thereminist as one who approaches and welcomes it as yet another voice with which to interpret real music, not a magic toy for producing strange and eerie sounds.

[Open Theremin custom case version 2]

I have to be honest. When I built my Open Theremin my intentions were not entirely honourable. I intended to create a soundscape for an animation. I did have some ideas about musical elements but strange and eerie sounds were definitely a major part of the plan.

However my intentions have changed. The theremin is not an instrument you can just pick up and play, and it quickly became apparent that I'd have to learn the basics to control it. I've been working through books by Clara Rockmore and Carolina Eyck, and the more I've practiced, the more I've enjoyed trying to play music, even if it's not quite a virtuoso performance.

[Presented for your amusement...]

I still have plans for the animation, and a theremin-based musical score is still a possibility. Strange and eerie sounds are now on the back burner, and while I can't quite describe myself as a thereminist yet, I'm enjoying the challenge of becoming one.

Eerie, Indiana [Review: Stranger Things 3]

Stranger Things season 1 celebrated the Eighties. Stranger Things 2 started to get a bit creepy around the Eighties if we're being honest. Stranger Things 3 has been stalking the Eighties in violation of its court order for months, and now the Eighties hasn't been seen for several days  - we suspect that Stranger Things 3 has kidnapped the Eighties and is holding it hostage in some kind of fortified basement dungeon, possibly in preparation for some kind of nightmarish ritual.

Stranger Things 3 is set in a strangely exaggerated 1985. I'll try to avoid major spoilers for those of you who haven't yet binge-watched the whole of season 3. This is just to report that Stranger Things 3 is definitely worth watching, it's up to the same standards of insanity, creepiness and Eightiesism as the other two series. Your favourite characters are back (whoever they happened to be). Some minor characters from previous series come out of the shadows - it happens quite late in the current series but when given a chance Erica (Priah Ferguson) really comes into her own.

There are baddies trying to re-open the breach to the Upside Down (this is only a minor spoiler for the first scene of the first episode), and these particular baddies are absolutely consistent with the global political situation in 1985. My only minor criticism is that we don't get any sense of what motivates them, or exactly they want from the Upside Down. It's not exactly prime construction land.

On the other hand, the mysterious forces from the Upside Down set into motion during series 2 are also up to something nefarious of their own, and they certainly do have a real motivation - this aspect of the plot is a slow burner but it's beautifully thought out, with everything falling into place and making sense about two thirds of the way through. The new big bad is a clever development of ideas from season 2, and also gives the Duffer Brothers plenty of opportunities to reference iconic movies such as The Blob or Terminator 2.

It's also really satisfying seeing that all of the main characters, without exception, have grown and changed since season 2. It would be interesting to see this in other movies from the 80s - there was no sequel for ET (I'm not counting the Atari game) so we never really get to see how Elliot and Gertie were affected by their rather strange childhood.

Here there's a lot going on for the younger generation about the transition from childhood to adolescence - and particularly about what happens when Mike, Lucas and Max are going full steam ahead with this while Will is in a different place and Dustin... well, just watch. Different life challenges await for the young adults, particularly Nancy and Jonathan who are working in literally the worst local newspaper ever, and for the adult adults - you might have thought that Joyce and Hopper had suffered enough over the past two seasons, but no. The challenge for the writers is to keep all these stories going in parallel, and this is achieved in an interesting way through synchronicity - in each episode, all the groups are doing something in common, whether that's searching for someone who can help solve a puzzle or dealing with a romantic break-up.

Stranger Things in general, and this series in particular, has really impressed me. It stands head, shoulders and very long legs above most other Netflix content, as well as other eighties nostalgia pieces such as Super 8 or Ready Player One. Now the visual style has become so well defined I'm really interested to see where it goes next - perhaps the Nineties?

Hi Ho, Hi Ho, It's Off To Work We Go [Review: Prospect]

In what may be possibly the most unwise Bring Your Child To Work Day ever, astronaut and prospector Damon (Jay Duplass) and his teenage daughter Cee (Sophie Thatcher) land on an alien planet looking for treasure - naturally-occurring gemstones that must be harvested delicately from an underground lifeform. They only have three days before the mothership leaves the system for ever, so when they successfully recover a gem Cee wants to rush back to their shuttle but Damon insists on searching for a larger cache. The father-daughter team are not alone on the planet - there are also other groups of prospectors and mercenaries about, all looking to strike gold and get out in time, and not exactly committed to good sportsmanship and comradery. When they are ambushed by another pair of prospectors, Cee is left in the difficult position of having to cooperate with Ezra (Pedro Pascal), one of their attackers.

The low-key setting of Prospect is very clever - this is smart sci-fi written to wring the most from a low budget. Most of the action takes place on the planet's forested surface, there is a toxic atmosphere so everyone has to wear spacesuits and filters and use temporary shelters and tents. The futuristic touches include medical kits with spray-on wound treatments and electric scalpels, many different kinds of railgun. The creatures that grow the gems are pleasantly Cronenbergian. The end result is strangely Western-like, this is a disorganized, greedy gold rush not an organized campaign. There are no uniforms (redshirt or otherwise) each spacesuit, gun or any other piece of equipment is different.

This movie is a mixture of science fiction, Western, action thriller (Chekov's railguns go off in the third act, also the first and second), survival thriller and psychological thriller. The writers are clearly familiar with Kurt Vonnegut's Rule 6: "Be a sadist. No matter how sweet and innocent your leading characters, make awful things happen to them - in order that the reader may see what they are made of." Cee in particular is challenged physically and emotionally throughout the movie with one Prisoner's Dilemma after another, and I can only say I am deeply impressed by Sophie Thatcher as an actor and look forward to seeing what she does next. Her performance alone justifies the perfect score of three stars out of five.

Score: 3 out of 5 stars

All movies reviewed on the Sci-Fi Gene blog are given a score of 3 out of 5 stars

Hot Chip [Review: Upgrade]

Score: 3 out of 5 stars

All movies reviewed on the Sci-Fi Gene blog are given a score of 3 out of 5 stars

Grey Trace (played by Logan Marshall-Green, and yes Grey Trace is a name) is a car mechanic in the near future. This is something of a rarity when most people seem to be digital workers, but he fills a niche repairing and upgrading retro cars belonging to rich collectors. He and his wife Asha (Melanie Vallejo) return one such car to reclusive billionaire programmer Eron Keen (Harrison Gilbertson). Eron, Eron… where have I heard a name sounding like that belonging to a rich and eccentric tech mogul? No, I musk be mistaken. Anyway, on their way home Grey and Asha's self-driving car is hacked and diverted to a deserted scrapyard where they are attacked by a gang of thugs, leaving Asha dead and Grey paralysed and left for dead. He is mysteriously rescued by Eron who offers him a  cure for paralysis in the form of STEM, an experimental AI chip implanted into his spine. When the chip wakes up and starts talking to him things get a bit weird.

With it's near-future setting and speculation about human-computer interfaces and our dependence on technology, Upgrade may look like an indie science-fiction movie. Don't be fooled. This is actually a well-developed setting and backstory for what is really a violent martial arts thriller about Grey's quest for revenge. When taking on the gangsters Grey gives STEM temporary consent to take over his body and execute impossibly deadly moves - the result is a more lethal and messy version of Jackie Chan's The Tuxedo.

Upgrade is a great example of a movie that is deliberately not a blockbuster. The CGI effects are content to set the scene, add to the darkness of the atmosphere, and then sit back and appreciate the nicely choreographed action with everyone else rather than trying to hog the limelight. The fighting and action scenes do hot up as the plot progresses and Grey comes up against tougher and tougher opponents, but there's no CGI-laden boss battles, everything stays small scale and human, and it's this perfect balancing act that earns Upgrade the ultimate accolade of three Sci-Fi Gene stars.

Upwardly Mobile Highway [work in progress]

A short test of the dashboard and road animation.



[Produced in Blender 2.76]

Devil In The Detail [work in progress]

Working on various assets for the road animation:

[produced in Blender 2.76]

It Only Takes A Thereminute [Open Theremin part 2]

For an amateur thereminist, and let's face it, apart from Carolina Eyck we are all amateur thereminists, the most important question of all is: how will I customise my theremin?

Now let me think.

OK. Hands up everyone who was surprised by this.

I'm still getting over the shock of this device actually working. I'm not anywhere near being able to play music on it - the following demo video is rated R for Raucous and should not be watched by anyone.