Tuesday, 15 August 2017

[Review: Valerian And The City Of A Thousand Planets]

When a valuable stolen treasure is sighted in the multi-dimensional Big Market, Valerian and Laureline, two intergalactic special agents are dispatched to recover it - but this turns out to be just the first step in solving a greater mystery connecting the stolen item, the destroyed planet of Mul and the mysterious entity that has taken over part of the multicultural space city Alpha.

Valerian And The City Of A Thousand Planets is a Luc Besson film based on the Valerian and Laureline French graphic novels. The heroes are played by Dane DeHaan and Cara Delavigne. As in the comics, Valerian is straight-laced and does it by the book while Laureline is more of an out-of-the-box thinker; traditional gender personality traits are exaggerated for effect. Somehow they appear younger in the film than in the comics - more or less hormonal, bickering teenagers despite their elite skills, military rank and galaxy-saving duties. Theirs is not the greatest on-screen partnership Hollywood has ever seen. When the chemistry does work the flirting and bickering is fun to watch, but it's hit and miss throughout the film. The plot also veers between child-friendly action, adult innuendo and the aftermath of a serious war crime making me wonder just who it is aimed at.

Valerian also takes inspiration from other sci-fi movies - visually there's a lot in common with The Fifth Element including colourful, entertaining aliens, sharp fashions particularly when it comes to uniform, and eye-popping over-the-top environments. The space megacity of Alpha, born from a series of space handshakes starting with the 1975 Apollo-Soyuz link-up, is a mixture of The Fifth Element's New York and Star Wars' Coruscant. There are plenty of other Star Wars parallels but on the other hand, for some reason none of the Star Wars movies feature a shape-changing alien exotic dancer performing any famous scenes from Cabaret. Why not, George?

I bought my ticket for Valerian with high expectations for the visuals but fairly low for everything else. I came out ahead in that the visuals are indeed pretty good, and much of the film (if not quite all) is entertaining.


No comments: