The Hood Maker is a good start. Shot in atmospheric yellows and greens, it's a dystopia of slums and riots on the one hand, and a rising police dictatorship on the other. Grainger, fresh from her fresh-faced performance as Cormorant Strike's assistant Robin, acts her heart out as telepath Honor in a challenging role throwing her from innocence to powerful psychic to traumatised victim. Madden has no such range in his role but achieves something else - a decent portrayal of the everyman hero at the heart of so many PKD stories. The episode is well-written. Conceptual sci-fi works best when the unexpected consequences are explored - here, in a quite harrowing scene, a telepath is abused by a man who forces her to experience his disturbed fantasy. She has nightmares about it - and all the telepaths in the area share the nightmares.
Filmmakers have been plundering Philip K. Dick's legacy of paranoid sci-fi for years but Electric Dreams might be the first attempt to treat his short stories with respect. Usually PKD film adaptations - Minority Report and The Adjustment Bureau for example - stretch the short story so far that the original plot and characters are barely recognizable, add shitloads of action and impose a completely new plot, creating a hybrid that may still be enjoyable but lacks the intensity or the irony of the original. Blade Runner is a pleasant exception to this rule- perhaps because it's adapted from a novel rather than a short story and so is cut rather than stretched. Presumably we can also thank Blade Runner for Electric Dreams - the fact that the sequel is about to open must have helped with the funding...
On the basis of this first installment, Electric Dreams looks to be an exciting addition to the sci-fi anthology catalogue - up there with The Twilight Zone, The Outer Limits, Black Mirror and, going further back in time, Tales Of The Unexpected.
Posts
No comments:
Post a Comment