Although actors, musicians, camera crew, writers, animators etc. all sometimes to feel that everyone else is being paid except them, in fact the same debate takes place over and over again – typically it’s about free workers taking jobs from paid workers, versus the need to work for free in order to break into the industry, and peppered with cautions and dangers facing the free worker.
Last month, on a certain filmmaker website discussion board, I saw one post by a composer arguing with great force about the evil of free services, followed immediately by two other composers quite happily advertising them.
Two interesting facts about the movie industry:
1. In every single movie related profession you will find both professionals and amateurs.
2. It’s as difficult as ever to break in and start a career. This is not reality TV – you can’t just pitch up with a good sob story and a willingness to give it 110%.
Peace between amateurs and professionals is about as likely as peace between Pastafarians and the Jedi. We won’t see it in our lifetimes. In fact enjoyment is just one possible reason you might offer to work for free: others might include gaining experience and exposure, making contacts, building up a showreel. All of these may be priceless benefits for an individual at a particular point in their career. An experienced artist might sign up because they approve of a cause or message, believe in the artistic value of a project, or wish to help newer artists learn and improve their craft. Are they wrong to do so? What about actors who support charity campaigns or run drama courses in prisons?
...to be continued

