I felt the final novel in the Vatta's War series regained much of the momentum missing from the previous one, and it built to a satisfying climax on both strategic and personal levels. This is partly because we see much more of Ky and much less of Stella and Rafe. Kylara finally finds herself in command of a large and deadly, if improvised, fleet, and in the face-off against Turek it's her strategic flair that is most tested, leading to one of the most interesting battles in the whole series. Once the battle ends we find ourselves in a slightly overlong coda where other plot strands are tied up including the sexual tension: this is a bit syrupy, but there is at least a sense that Ky has grown as a person as well as a commander.
An interesting idea running through the novels is Ky's discovery that she enjoys killing, and her struggle to understand this trait. While Ky feels she is a misfit, in fact the trait is more common than she thinks - it's certainly present in other members of the Vatta family such as Osman and Grace - one went on to become a psychopath while the other became a formidable spy but remained highly moral. Perhaps many people have this trait but most suppress or deny it. Enjoying killing isn't necessarily the same as having a desire to kill, nor does it necessarily mean you are amoral, which may be the factor that separates Osman from Grace and Ky. However there is something important in how you respond to those feelings, and it seems this is about maturity and self control.
Showing posts with label vatta's war. Show all posts
Showing posts with label vatta's war. Show all posts
Tuesday, 25 October 2011
Wednesday, 6 July 2011
Oh! Vatta Lovely War [Review: Engaging The Enemy]
The third Vatta's War novel finds Kylara Vatta travelling to a series of amusingly provincial worlds as she seeks to put together a privateer force to strike back at the pirates. Each planet has its own eccentricities such as Moscoe, where there are millions of by-laws and regulations to enforce basic politeness standards, and crimes are tried in front of the Tree Lord in a mock forest court. Anyone appearing in this court must be dressed appropriately or face the penalties - "it is extremely rude to appear with an uncentered stripe."This is the least action-heavy of the novels so far, although the plotting and scheming is more devious than ever and the plot does build to a climactic and inevitable space battle. Also, for all the light-heartedness, there are some deeper themes being developed. It's not enough to make Ky always the underdog, she is also allowed by the author to make some seriously bad judgement calls, alienating would-be allies and not necessarily winning all her battles. Stella Vatta is developed as a major character and the rivalry and personality clashes between Ky and Stella are deep and bitter even though they must trust and rely on each other.
Elizabeth Moon seems to be developing some ideas about capacity for violence through the books: Kylara has a genetic predisposition to enjoy killing, but this is separate from morality. Ky remains a very moral and caring character if somewhat on her own terms. It turns out certain other Vattas have also had this secret tendency, turning some into effective secret agents and others into psychopaths.
When the space combat scenes unfold they are good, although lacking the sense of large-scale tactical reality found in David Weber's Honor Harrington series - the appeal here is again Kylara's scheming that snatches victory (of a sort) from the jaws of defeat.
Thursday, 9 June 2011
I Can't Believe It's Not Vatta [Review: Moving Target]
Moving Target is the second novel in Elizabeth Moon's Vatta's War sequence. The delightfully psychopathic Kylara is stranded light years away from her family and homeworld with a loyal crew but a crippled spaceship, while the Vatta trading family and their allies, InterStellar Communications, are decimated in a series of attacks which also destroy the ansibles, the FTL communication devices that hold the various worlds together.In the first novel Kylara faced down a series of enemies, including a shipload of mercenaries, with almost no weapons. This time she makes some effort to beef up the ship's defences but still has very limited resources, so she remains outgunned and has to apply brainpower and guts to come out on top. This is true underdog fiction and Kylara's plots and schemes continue to amaze. I can also report that the plot remains happily horse-free but points have been deducted for gratuitous puppy elements.
Friday, 20 May 2011
Only Fools And No Space Horses [Review: Trading In Danger]
Trying to explain the appeal of 8-bit phenomenon Elite to non-players, I sometimes describe it as a little like Only Fools And Horses, set in a future where the single-handed wheelin' dealin' interstellar trader is king.Trading In Danger, a really enjoyable novel and first in the Vatta's War series, describes a similar future that is more commercial than naval. You may be familiar with Elizabeth Moon's track record: I am pleased to report that while polo is mentioned in passing, she has reined in her hippophilia and written a space opera almost devoid of horses, repairing what is arguably the Serrano Legacy's mane failing.
Kylara is a Vatta heiress - a member of both the Vatta family and their space logistics company. She chose the military over the family business but has been kicked out before completing training. To escape the paparazzi but also, we suspect, as a family punishment, she is sent on what should be a boring trade run saddled with a worn-out starship and her aunt's extremely dodgy fruitcakes.
The plot moves forward at a fast canter. Kylara herself is made of the Right Stuff and packs a decent right hook - her dismissal does not reflect a lack of fighting spirit but her tendency to fall for a good sob story, a likeable but potentially fatal Achilles' heel. While I'm not sure she'd be a match for Honor Harrington or Bet Yeager at close range, I think she'd at least make them work for their victory.
What gives Kylara's dilemmas, and this book, the upper hand in a photo finish, is that Honor too often has the upper hand - surprise, experimental weapons or disguised warships, extra intelligence and sneaky telepathic cats. Especially the cats. Kylara has to face up to mercenaries and other threats in a trading ship with literally no weapons - outgunning them is never an option and she has to stay calm, use the resources she has and know when to wait and when to raise the whip.
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